Shape Booster / Acrylic Painting and Oil Crayon on Watercolor Paper / 2024

$939.64

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In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and it is through the interplay of both that she seeks to communicate emotions and sensations.

This collection marks a shift toward a more abstract approach, allowing her to dive deeper into a personal and emotional space. Through this abstraction, she aims to diffuse light and color in a way that connects on a more intimate level, inviting the viewer to feel, rather than simply see, the essence of each piece.

Nature and elements (fire, earth, water and air) are also a huge source of inspiration for these paintings.

Details:

Title: Shape Booster
Medium: Acrylic Painting and Oil Crayon on Watercolor Paper
Size: 100x70 cm , (40x28 inches)
Year: 2024

* Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube.
* Certificate of Authenticity provided.

Perrine Honoré (Grasse, 1993) is a French artist, illustrator, and muralist. She has studied Fashion Design (Sweden), Graphic Design (EPSAA, Paris) and has a Master’s Degree in Design and Communication (Elisava, Barcelona). Painting and illustration are the grounds where she feels more comfortable, as it allows her more freedom to express herself and expand her ideas through semi-abstract forms and vibrant colors.

Although she works in several fields such as street art, textile design, art direction, branding, and jewelry, her paintings are what elevate her creative world in the most compelling and stimulating ways. Through a festive color palette, a youthful aesthetic, and an elegant collection of shapes, she builds a fascinating universe where fantasy and spontaneity prevail.

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    Frequently Asked Questions

    Care instructions

    Since cyanotypes are one of the oldest photographic prints known, they must be stored properly. Cyanotypes involve an intricate process with light-sensitive chemicals and high-quality papers to get the best image quality possible, so they are very different to regular inkjet prints.

    Although image quality is quite stable, there may be some fading if exposed to direct sunlight for long periods of time, and placed in extremely humid or acidic environments. For your print to last a lifetime, which it can, it would be best to put it in a glass or plastic frame, and try to keep it indoors, away from direct UV light- indirect light is fine! If you have any more questions, please ask!

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    Remember that each cyanotype print is unique, since they are all hand-made and exposed in direct sunlight, so there may be subtle variations in tone and texture. When expecting multiple prints of the same image, don't expect them to all be exactly the same, there may be small variations- that's the beauty!

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    A lot of people like to float-frame our cyanotypes and paintings, since the borders where the emulsion is applied are very interesting, but some people also like to matte the pieces so that they look bigger. If you're interested in a diptych or triptych we recommend framing them to the edge of the paper, that way they can be displayed relatively close together and will suggest continuity between the individual pieces.

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